In the Venn diagram comparing Justice's debut Cross with Audio, Video, Disco, here's the overlap: distorted synthesizers. Gone is the bombast of “Genesis,” the infectious hedonism of “D.A.N.C.E.,” and any notion that the listener might be having a good time. It’s downright sad. Anyone know the French for “sophomore slump”?
Reminds us of: The parallel universe where Daft Punk was a one-hit-wonder