New York natives Francis & the Lights started up what would be an electronica extravaganza Monday night at the House of Blues. Expectations were high for the duo. They've got more buzz than one of those mosquito-killing lamps in July, and they were opening for two groups that had top 10 hits this year. Musically, they've got it going on: catchy synth pop accompanied by simple guitar chords and a voice that takes one back to UB40.
Sadly, the caliber of the music did not match that of the performance. Francis is apparently under the impression that whipping out a jerky dance move once a song constitutes a "performance." Add some costumes, lights, actual movement from both members, and the energy he pulled out during the last song, and this would have been a very different review.
Party-starting Asian dance-hop troupe the Far East Movement was next. This reviewer is ashamed to say that he went into the venue dreading their performance. Anyone who listened to their debut release Free Wired would understand. Well, while the boys might not be able to write a good song to save their recording contract, GODDAMN CAN THEY PERFORM THEM. The bass was so heavy at times that breathing was impossible, which made things all the more exhilarating. The group never let up for one second and demanded the same from the audience. Bonus points for bringing out Dev, the female vocal on their #1 hit "Fly Like a G6" as well Tamar Kaprelian, Interscope's newest pop princess, for their #1 hit "Fly Like a G6."
After what seemed like forever (but was in reality about 40 minutes), the lights dimmed, and the "La Croux" (the affectionate and super clever name given to her backing band) took the stage and got the set going. La Roux walked on stage wearing a gold cape/coat, with her signature red swept-up hairdo in perfect shape. It was clear from the first few notes of opening song "Tigerlily" that she was going to be fabulous.
The next hour was filled with some of the best live renditions of electronic dance songs ever. Ms. Elly Jackson held every note perfectly and treated the crowd to both her smooth dance moves and unintelligible British slang - all of which are great. After her encore of an extended version of her hit "Bulletproof," it was clear that La Roux had surpassed with ease what anyone had hoped for.
Also, are you a fan of the game "is-that-a-cute-guy-or-a-lesbian?" GO TO A LA ROUX CONCERT. The single most androgynous event ever. Fantastic.
