Of the six artists playing Pitchfork's official SXSW showcase, Julianna Barwick's opening set felt most attuned to the setting - stained glass windows aglow and audience seated in pews within Austin's Central Presbyterian Church. Barwick's songs are multi-layered tapestries of sound, all sharing for a foundation her extraordinary, crystalline soprano. I saw many different acts this SXSW doing fascinating things with the solo-vocalist-and-loop-station conceit, but none as delicate or precise as Barwick's. Each song felt like as certain as a tide flowing and ebbing, not just continuing from one second to the next, but revealing a new detail of its intricate, clearly-intentioned structure. Singing in a church choir was part of Barwick's musical development, and it shows in the spiritual, even hymnal reverence of her sound.
Julianna Barwick

Central Presbyterian Church
Austin, TX
Thursday, March 17, 2011
Words by John Beardsley
Photos by John Beardsley
Published on melophobe April 6, 2011.
Photos by John Beardsley








